Bryan Christiansen
Trophy Hunter

Bryan Christiansen's life-sized contemporary sculptures challenge conventional notions about rural life, home, the rituals of the hunting tradition, and the innocence of childhood. Using discarded household furniture that he finds in neglected urban areas, Christiansen crafts assemblages that stand in for the trophies, antler mounts, and pelts so often prized by hunters.

Raised in a small log cabin in the Black Hills of South Dakota, Christiansen experienced all the requisite activities of a rural childhood: absorbing nature, communing with wildlife, and learning to hunt. But at the same time, he also grappled with the complicated and tumultuous happenings of his family's domestic life. When Christiansen arrived as a student at the University of Nevada, Reno, he turned to art as a way of wrestling with the conflicting realities of his past.

Christiansen's sculptures recall the work of 1950s assemblage artists Bruce Conner and Ed Kienholz, who used gritty discarded objects to probe such issues as the passage of time, death, and decay. Unlike the work of these artists, however, Christiansen's reconstructions are exquisitely crafted, featuring exposed hand-stitchery and floral fabrics that have more to do with making sense of life than they do with dwelling on death. As trophies, they represent Christiansen's own triumph of the present over the past and his strength to confront some of life's most challenging contradictions.

Sponsorship of the Nevada Emerging Artist Series is generously provided by The Satre Family Fund of the Community Foundation of Western Nevada.

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Bryan Christiansen, Stag, 2009. Wood, metal, and foam from dismantled furniture. Courtesy of the artist.

Bryan Christiansen, La-Z- Boy, 2008. Leather upholstery from discarded furniture. Courtesy of the artist.

Trophy Hunter