LAND ACKNOWLEDGEMENT

The Nevada Museum of Art acknowledges the traditional homelands of the Waší·šiw (Washoe), Numu (Northern Paiute), Newe (Western Shoshone), and Nuwu (Southern Paiute) people of the Great Basin. This includes the 28 Tribal Nations that exist as sovereign nations and continue as stewards of this land. We appreciate the opportunity to live and learn on these Indigenous homelands.

SUSTAINABILITY

To offset the emissions of the 2026 Art + Environment Summit, a portion of each registration will be donated to the Tahoe Institute for Global Sustainability. Learn more at unr.edu/tahoe-institute.

Into the Time Horizon, the 2026 Art + Environment Summit and their accompanying publications were conceived with sustainability as an imperative and a challenge for what is possible. Inks used are eco-friendly, biodegradable, and 100% vegetable based. The paper is recycled and FSC certified.

IMAGE CREDITS

TOP TO BOTTOM: Xiaojing Yan, Lingzhi Girl #4, 2017. Cultivated lingzhi mushrooms, mycelium and wood chips, 18 x 17 x 16 inches (45.7 x 43.2 x 40.6 cm). Nevada Museum of Art, purchased with funds from the Collections Committee Acquisition Fund. Gloria Tamerre Petyarre, Leaves, 2002. Synethic polymer paint on canvas, 70 7/8 x 157 ½ in. (180 x 400 cm). Seattle Museum of Art, gift of Margaret Levi and Robert Kaplan, in honor of Virginia and Bagley Wright, and in honor of the 75th Anniversary of the Seattle Art Museum. © Copyright Agency. Licensed by Artists Rights Society (ARS), New York, 2025. Image courtesy Seattle Art Museum. Photograph courtesy of Laura Ortman. Dress by EMME Studio. Photo by Denis Gutierrez- Ogrinc. Jonathon Keats in collaboration with Phil Abernethy and Brittany Cox, Centuries of the Bristlecone, 2025, Photo by Asa Gilmore. Rebecca Belmore, ishkode (fire), 2021. Ceramic, bullet casings, and copper wire, 66 ½ x 108 ¼ x 127 7/8 in. (168.9 x 275 x 324.8 cm). Whitney Museum of American Art, New York; purchased jointly by the Whitney Museum of American Art, New York, with funds from the Painting and Sculpture Committee, the Wilfred P. and Rose J. Cohen Purchase Fund, the John I. H. Baur Purchase Fund, and the Tom Armstrong Purchase Fund; and the National Gallery of Canada, Ottawa 2024. 297 a-d. © Rebecca Belmore. Installation view of Whitney Biennial 2022: Quiet as It's Kept (Whitney Museum of American Art, New York, April 6-September 5, 2 022). Digital image © Whitney Museum of American Art / Licensed by Scala/ Art Resource, NY, Didier William, Siklon 2, 2021. Acrylic, ink, and wood carving on panel, 68 x 104 in. (172.7 x 264.2 cm). Courtesy of the artist and Altman Siegel, San Francisco. Ernesto Neto, Children of the Earth, 2019. Cotton voile crochet, cotton fabric, cotton voile curtain, futon, ceramic, polyamide stockings, crystal, onyx, red jasper, honey calcite, amethyst, sodalite, green quartz, orange calcite, lavender, fennel, basil, bay leaves, cloves, ginger, turmeric, maracas, drums, Tibetan singing bowl, seed pods, 10 cotton fabric outfits, leaves, terra cotta pots, dimensions variable. Courtesy of the artist and Tanya Bonakdar Gallery, New York. Photo: Flying Studio. Zig Jackson, Indian Man at Kennecott Copper Mines, Tooele, Utah, 2004/printed 2020. 19 x 19 in. (48.3 x 48.3 cm). Nevada Museum of Art, the Altered Landscape, Carol Franc Buck Collection. © 2025 Zig Jackson / Artists Rights Society (ARS), New York. Jeffrey Gibson, The Land is Speaking Are You Listening, 2022. Mural, dimensions variable. Courtesy of the artist and Sikkema Malloy Jenkins. © Jeffrey Gibson.