INTO THE TIME HORIZON

IMAGE 1: Jeffrey Gibson, The Land Is Speaking Are You Listening, 2022. Mural, dimensions variable. © Jeffrey Gibson. Courtesy of Sikkema Malloy Jenkins, New York; IMAGE 2: Gloria Tamerre Petyarre, Leaves, 2002. Synethic polymer paint on canvas, 70 7/8 x 157 ½ in. (180 x 400 cm). Seattle Art Museum. Gift of Margaret Levi and Robert Kaplan, in honor of Virginia and Bagley Wright, and in honor of the 75th Anniversary of the Seattle Art Museum. Courtesy Seattle Art Museum. Photo: Scott Leen; IMAGE 3: Ernesto Neto, Children of the Earth, 2019. Cotton voile crochet, cotton fabric, cotton voile curtain, futon, ceramic, polyamide stockings, crystal, onyx, red jasper, honey calcite, amethyst, sodalite, green quartz, orange calcite, lavender, fennel, basil, bay leaves, cloves, ginger, turmeric, maracas, drums, Tibetan singing bowl, seed pods, 10 cotton fabric outfits, leaves, terra cotta pots, dimensions variable. Courtesy the artist and Tanya Bonakdar Gallery, New York. Photo: Flying Studio; IMAGE 4: Didier William, Siklon 2, 2021. Ink, wood carving, and acrylic on panel, 68 x 104 in. (172.7 x 264.2 cm). Courtesy the artist and Altman Siegel, San Francisco; IMAGE 5: El Anatsui, Strips of the Earth's Skin, 2008. Found aluminum and copper wire, 130 x 274 x 16 in. (318.5 x 671.3 x 40.64 cm). The Broad Art Foundation. Courtesy Broad Art Foundation. Photo: Joshua White/jwpictures.com; IMAGE 6: Mark Dion, Cabinet of Extinction, 2022. Wood, paint, resin sculptures, and string, 90 x 113 ½ x 18 in. (228.6 x 288.3 x 45.7 cm). Collection of Paul and Mary-Dailey Desmarais III. Courtesy the artist and Tanya Bonakdar Gallery, New York; IMAGE 7: Pierre Huyghe, Human Mask, 2014. Single-channel video, color, sound; 19 minutes. © Pierre Huyghe. Courtesy of the artist; Anna Lena Films, Paris; IMAGE 8: Maya Lin, Pin River – Tahoe Watershed, 2014. Straight pins, 114 x 210 in. (289.6 x 533.4 cm). Nevada Museum of Art, museum purchase with funds provided by Marion Grudin in memory of Shim Grudin. © Maya Lin Studio. Courtesy Pace Gallery. Photo: Kerry Ryan McFate; IMAGE 9: Rebecca Belmore, ishkode (fire), 2021. Clay, bullet casings, and copper wire, 66 ½ x 108 ¼ x 127 7/8 in. (168.9 x 275 x 324.8 cm). Whitney Museum of American Art, New York; purchased jointly by the Whitney Museum of American Art, New York, with funds from the Painting and Sculpture Committee, the Wilfred P. and Rose J. Cohen Purchase Fund, the John I. H. Baur Purchase Fund, and the Tom Armstrong Purchase Fund; and the National Gallery of Canada, Ottawa 2024. 297 a-d. © Rebecca Belmore. Installation view of Whitney Biennial 2022: Quiet as It's Kept (Whitney Museum of American Art, New York, April 6-September 5, 2022). Digital image © Whitney Museum of American Art / Licensed by Scala / Art Resource, NY. Photo: Ron Amstutz; IMAGE 10: Otobong Nkanga, Double Plot, 2018. Woven textile with photography, 104 5/16 x 303 1/8 in. (265 x 770 cm). Marieluise Hessel Collection, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York. Image courtesy Hessel Museum of Art; IMAGE 5: Clarissa Tossin, Becoming Mineral, 2021. Fired clay and fired porcelain, 7 x 4 x 1 ½ (each) (17.8 x 10.2 x 3.8 cm). Collection of Teresa Tsai. Courtesy Commonwealth and Council, Los Angeles. Photo: Michel Kurst; IMAGE 11: Kiki Smith, Spinners, 2014. Cotton jacquard tapestry, hand painting and gold leaf, 116 x 76 in. (294.6 x 193 cm). © Kiki Smith. Courtesy the artist and Pace Gallery. Published by Magnolia Editions. Image courtesy Magnolia Editions; IMAGE 12: Mitch Epstein, BP Carson Refinery, California, from the series American Power, 2007. Chromogenic print, 45 x 58 in. (114.3 x 147.3 cm). Nevada Museum of Art, the Altered Landscape, Carol Franc Buck Collection. © Black River Productions, Ltd. / Mitch Epstein. Image courtesy Nevada Museum of Art