This course is a 3-day intensive study covering the use of color with emphasis on how seeing relates to color choices. Students will gain a good foundational working knowledge of how to mix and use color as it relates to making artwork. The class will be exposed to many color theories, which will be put into practice. Each lesson begins with the concepts to be covered, demonstration of the techniques, hands on experience.

Tuesday – Thursday, January 22 – 24
9 am – noon

Instructor: David McCamant 
Ages: Adults (15+) / All Levels

SUPPLY LIST: 

SUPPORTS 

• Inexpensive canvas boards or panels. Students who wish to do the homework will need to double the number of panels. 3 – 11″ x 14” 

OIL OR ACRYLIC PAINT: 1 – 37 ml tube of oil paint in the following colors:

• WHITE Titanium White (2 tubes are suggested) 
• YELLOW Cadmium Lemon, Windsor Yellow, Hansa Yellow Medium or Cadmium Yellow Light 
• RED Cadmium Red Hue, Cadmium Red Medium or Cadmium Berium Red (not deep) 
• BLUE French Ultramarine Blue or Ultramarine Blue 
• BLACK Ivory Black
• MAGENTA (OPTIONAL*) Permanent Rose or Quinacridone Red 
• CYAN (OPTIONAL*) Thalo Blue or Phthalo Blue 

You may bring whatever paint you have as long as they are the correct hues or colors. I recommend inexpensive Windsor Newton student colors. 

FOR OILS ONLY OIL PAINTING MEDIUM 

• Neo MeGilp Medium 2oz or Larger 

OIL PALETTE

• Gray Matters, palette paper or equivalent 

CLEANING JAR

• Silicoil cleaning jar or other small jar with lid 

CLEANING SOLUTION

• 1 – 8oz bottle of artist grade Walnut oil 

BRUSH CLEANER

• 2.5 OZ small cake of The Masters Brush Cleaner

BRUSHES

• Bring what you have – recommend at least one filbert #8 

FOR ACRYLICS ONLY

• Large water container to clean brushes Sta-wet pallet (larger the better) 

PAPER TOWELS

• 1 roll of BLUE shop paper towels (OPTIONAL – add one more for homework*) 

WET PANEL CARRIER

• Inexpensive cookie sheet covered in aluminum foil or aluminum roasting pan for wet painting transport

Approximate Materials Cost $100. With OPTIONAL ITEMS $130. 

Inspired by the American and French Impressionists, students will use oil paint to explore color, light and shadow in this week-long intensive. This series will explore brushwork techniques, cropped compositions, color breaking and mixing colors directly on canvas.

Monday – Friday, February 18 – 22
9 am – noon

Instructor: David McCamant
Ages: Adult (15+) / All Levels

SUPPLY LIST:

SUPPORTS: Inexpensive canvas boards or panels. Students who wish to do the homework will need to double the number of panels.

• 1 – 11″ x 14” (OPTIONAL – add one more for homework*)
• 2 – 8″ x 10″ (OPTIONAL – add two more for homework*)
• 3 – 6″ x 8″ (OPTIONAL – add three more for homework*)

OIL PAINT: 1 – 37 ml tube of oil paint in the following colors: 

• WHITE – Titanium White (2 tubes are suggested)
• YELLOW – Cadmium Lemon, Windsor Yellow, Hansa Yellow Medium or Cadmium Yellow Light
• RED – Cadmium Red Hue, Cadmium Red Medium or Cadmium Berium Red (not deep)
• BLUE – French Ultramarine Blue or Ultramarine Blue 
• BLACK – Ivory Black
• MAGENTA – Permanent Rose or Quinacridone Red  
• CYAN – Thalo Blue or Phthalo Blue 

You may bring whatever paint you have as long as they are the correct hues or colors. I recommend inexpensive Windsor Newton Winton student colors.

PAINTING MEDIUM:Neo MeGilp Medium 2oz or Larger

BRUSHES: Recommend Connoisseur brand #2106 pure synthetic oil paint brushes or any artist quality manufacturer VERY IMPORTANT

• 1 each #6 and #8 Long-Handled Filberts

PALETTE: Gray Matters, palette paper or equivalent

CLEANING JAR: Silicoil cleaning jar or other small jar with lid

CLEANING SOLUTION: 1 – 8oz bottle of artist grade Walnut oil

BRUSH CLEANER: 2.5 OZ small cake of The Masters Brush Cleaner

PAPER TOWELS: 1 roll of BLUE shop paper towels (OPTIONAL – add one more for homework*)

WET PANEL CARRIER: inexpensive cookie sheet covered in aluminum foil or aluminum roasting pan for wet painting transport

Approximate Materials Cost – $100. With Optional Items – $130.

NOTE: Painting techniques will not use any solvent or turpentine, only painting medium.

Explore still life oil painting in this workshop that looks specifically at painting a floral still life. Imploring the techniques and style of the Dutch Masters, both beginning, and more advanced oil painting students will enjoy learning how to set up a floral still life, will consider their composition and will learn how to take a floral still life painting from start to finish. Students will explore oil painting techniques, including brushwork, value and color. Students will work to develop their oil painting skills while exploring texture, light, shape and form.

Saturday and Sunday, April 13 and 14
9 am – 2 pm

Ages: Adult (15+) / All levels
Instructor: Dee Kirkham

Supply List/Instructor Notes: 

Suggested place for purchasing oil paints: Nevada Fine Arts Store, Reno, NV  

Oil Paints (Rembrandt, Windsor Newton Oil (not student grade), Old Holland or Vasari Paints (800-932-9375)

• Naples Yellow Light
• Yellow Ochre
• Cadmium Yellow Light or Lemon
• Cadmium Yellow Deep
• Cadmium Orange
• Cadmium Red Light
• Alizarin Crimson
• Ultramarine Blue 
• Burnt Umber
• Raw Umber (prefer Windsor Newton)
• Ivory Black
• Transparent Oxide Red
• Titanium White (M Graham Alkyd Formulation – but any Titanium White will be fine)

Brushes

• Rosemary Brushes (can order only online www.rosemaryandco.com – Ivory Filberts Size 4, 6, 8 & 10 to start and/or Ivory Short Flats, size 4, 6, 8 & 10 to start
• Robert Simmons (www.blick.com)   Signet Bristle Brushes or Silver Grand Prix 
• Sizes:  3, 4, 6, 8, 10, 12
• Watercolor Nylon Brush or a very soft brush for smoothing – 1” to 2” – Rosemary & Co has a goat hair one that is perfect

Preferred Medium

• Prefer to not use turpentine – I will explain this and show you how to paint without it and how to clean your brushes.
• Gamblin Liquin
• Maroger Flemish Medium – can be ordered from Andre Lucero, www.andrelucero.com
• I will have this for you to purchase at the class.  Please let him know that I referred you.

Preferred Surfaces – Smooth

• Ampersand Museum or value Series, The Artist Panel for oil & acrylics, smooth finish or canvas texture, 1/8” flat panel.  Sizes preferred for class 8×10, 9×12, 11×14 or 12×16. Only need 2 canvases for class.Can order these at https://ampersandart.com or Nevada Fine Arts store (if they don’t have them, they can order them for you) or can be purchased at www.dickblick.com
• Inner Glow Panels – http://www.billewing.com/panels.htm (877-430-3639)
• These boards provide for a smooth surface giving the effect of the Old Dutch Masters style 
• Canvas Boards, if used should be Belgian Linen Portrait quality.  I recommend Raphael Premium Archival Oil Primed Linen Panels which you can order from Jerry’s Artarama.
• Bring any sizes you prefer – Suggested sizes 9×12, 11×14, 12×16

Palette

• Plexiglas or glass palette is the best for seeing your color and cleaning.  The simplest is to buy a cheap frame with glass, 12×16 or 16×20, and use the glass for your palette.

Palette Knife

• Any size will be fine, short blade and a long pliable blade preferred.

Easel

• Please bring you own easel setup if you prefer, otherwise easels are provided.  If you prefer to sit when you paint, a table top easel will be fine.  
• Artwork Essentials – http://www.artworkessentials.com  – have several sizes of easels that are lightweight, easy to transport and very compact with tripod and accessories.  I will be using one at the workshop.

Paper Towels – Bounty (seem to be the best for not leaving residue on your brushes or painting).

Still Life Setups

• You will be painting your own personal still life setup.  If you have any special vases, flowers, or items that you would like to possible put in your painting, please feel  free to bring them.  I will be bringing a lot of items for you to choose from also.  
• Also bring a small & large box  and a dark colored cloth ( 2 yards minimum) preferably dark green, black or a neutral color.

NOTE: If you prefer not to buy extra supplies from this list, please just bring what you have.  I know art can get expensive.  I will be happy to share what I have with you and this will give an opportunity to try it before you buy.

Explore still life oil painting in this workshop that looks specifically at painting a floral still life. Imploring the techniques and style of the Dutch Masters, both beginning, and more advanced oil painting students will enjoy learning how to set up a floral still life, will consider their composition and will learn how to take a floral still life painting from start to finish. Students will explore oil painting techniques, including brushwork, value and color. Students will work to develop their oil painting skills while exploring texture, light, shape and form.

Saturday and Sunday, February 16 and 17
9 am – 2 pm

Ages: Adult (15+) / All levels
Instructor: Dee Kirkham

Supply List/Instructor Notes: 

Suggested place for purchasing oil paints: Nevada Fine Arts Store, Reno, NV  

Oil Paints (Rembrandt, Windsor Newton Oil (not student grade), Old Holland or Vasari Paints (800-932-9375)

• Naples Yellow Light
• Yellow Ochre
• Cadmium Yellow Light or Lemon
• Cadmium Yellow Deep
• Cadmium Orange
• Cadmium Red Light
• Alizarin Crimson
• Ultramarine Blue 
• Burnt Umber
• Raw Umber (prefer Windsor Newton)
• Ivory Black
• Transparent Oxide Red
• Titanium White (M Graham Alkyd Formulation – but any Titanium White will be fine)

Brushes

• Rosemary Brushes (can order only online www.rosemaryandco.com – Ivory Filberts Size 4, 6, 8 & 10 to start and/or Ivory Short Flats, size 4, 6, 8 & 10 to start
• Robert Simmons (www.blick.com)   Signet Bristle Brushes or Silver Grand Prix 
• Sizes:  3, 4, 6, 8, 10, 12
• Watercolor Nylon Brush or a very soft brush for smoothing – 1” to 2” – Rosemary & Co has a goat hair one that is perfect

Preferred Medium

• Prefer to not use turpentine – I will explain this and show you how to paint without it and how to clean your brushes.
• Gamblin Liquin
• Maroger Flemish Medium – can be ordered from Andre Lucero, www.andrelucero.com
• I will have this for you to purchase at the class.  Please let him know that I referred you.

Preferred Surfaces – Smooth

• Ampersand Museum or value Series, The Artist Panel for oil & acrylics, smooth finish or canvas texture, 1/8” flat panel.  Sizes preferred for class 8×10, 9×12, 11×14 or 12×16. Only need 2 canvases for class.Can order these at https://ampersandart.com or Nevada Fine Arts store (if they don’t have them, they can order them for you) or can be purchased at www.dickblick.com
• Inner Glow Panels – http://www.billewing.com/panels.htm (877-430-3639)
• These boards provide for a smooth surface giving the effect of the Old Dutch Masters style 
• Canvas Boards, if used should be Belgian Linen Portrait quality.  I recommend Raphael Premium Archival Oil Primed Linen Panels which you can order from Jerry’s Artarama.
• Bring any sizes you prefer – Suggested sizes 9×12, 11×14, 12×16

Palette

• Plexiglas or glass palette is the best for seeing your color and cleaning.  The simplest is to buy a cheap frame with glass, 12×16 or 16×20, and use the glass for your palette.

Palette Knife

• Any size will be fine, short blade and a long pliable blade preferred.

Easel

• Please bring you own easel setup if you prefer, otherwise easels are provided.  If you prefer to sit when you paint, a table top easel will be fine.  
• Artwork Essentials – http://www.artworkessentials.com  – have several sizes of easels that are lightweight, easy to transport and very compact with tripod and accessories.  I will be using one at the workshop.

Paper Towels – Bounty (seem to be the best for not leaving residue on your brushes or painting).

Still Life Setups

• You will be painting your own personal still life setup.  If you have any special vases, flowers, or items that you would like to possible put in your painting, please feel  free to bring them.  I will be bringing a lot of items for you to choose from also.  
• Also bring a small & large box  and a dark colored cloth ( 2 yards minimum) preferably dark green, black or a neutral color.

NOTE: If you prefer not to buy extra supplies from this list, please just bring what you have.  I know art can get expensive.  I will be happy to share what I have with you and this will give an opportunity to try it before you buy.

Imploring the techniques and style of the Dutch Masters, both beginning and more advanced oil painting students will enjoy learning how to set up a still life, develop a concept and composition and will learn how to take a still life painting from start to finish.  Students will explore oil painting techniques, including brushwork, value and color. Referencing the work of Vermeer and  Rembrandt students will work to develop skilled painting of textures and surfaces while exploring use of light, shape and form.

Friday – Sunday, May 17 – 19
9 am – 4 pm

Instructor: Dee Kirkham
Ages: Adults (15+) / All levels

Supply list: 

Suggested place for purchasing supplies:
Nevada Art Supply, Reno, NV
ASWExpress – http:www.aswexpress.com – I have found them to have the best prices & reliable for quick turnaround of shipping.

Oil Paints (Rembrandt, Windsor Newton Oil (not student grade), Old Holland or Vasari Paints (800-932-9375)

Naples Yellow Light

Yellow Ochre

Cadmium Yellow Light or Lemon

Cadmium Yellow Deep

Cadmium Orange

Cadmium Red Light

Alizarin Crimson

Ultramarine Blue

Burnt Umber

Raw Umber (prefer Windsor Newton)

Ivory Black

Transparent Oxide Red

Titanium White (M Graham Alkyd Formulation – but any Titanium White will be fine)

Brushes

Rosemary Brushes or Robert Simmons Signet Bristle Brushes or Silver Grand Prix

Sizes:  3, 4, 6, 8, 10, 12

Watercolor Nylon Brush or a very soft brush for smoothing – 1” to 2”

Preferred Medium

Prefer to not use turpentine – I will explain this and show you how to paint without it and how to clean your brushes.

Gamblin Liquin

Maroger Flemish Medium – can be ordered at Old Masters Maroger

http://www.oldmastersmaroger.com – 505-758-2382.  I will have several tubes for sale.

Preferred Surfaces – Smooth

Ampersand – The Artist Panel for oil & Acrylics, Smooth Finish, or canvas

Inner Glow Panels – http://www.billewing.com/panels.htm (877-430-3639)

These boards provide for a smooth surface giving the effect of the Old Dutch Masters style

Canvas Boards, if used should be Belgian Linen Portrait quality.  I recommend Raphael Premium Archival Oil Primed Linen Panels which you can order from Jerry’s Artarama.

Bring any sizes you prefer – Suggested sizes 89×12, 11×14, 12×16

Palette

Plexiglas or glass palette is the best for seeing your color and cleaning.  The simplest is to buy a cheap frame with glass, 12×16 or 16×20, and use the glass for your palette.

Palette Knife

Any size will be fine, short blade and a long pliable blade preferred.

Easel

Please bring you own easel setup or easels are available.   If you prefer to sit when you paint, a table top easel will be fine.

Suggestions:

Artwork Essentials – http://www.artworkessentials.com  – have several sizes of easels that are lightweight, easy to transport and very compact with tripod and accessories.  I will be using one at the workshop.

Paper Towels – Bounty (seem to be the best for not leaving residue on your brushes or painting).

If you prefer not to buy extra supplies from this list, please just bring what you have.  I know art can get expensive.  I will be happy to share what I have with you and this will give an opportunity to try it before you buy.

Still Life Setups

You will be painting your own personal still life setup.  If you have any special vases, flowers, fruit, vegetable or items that you would like to possible put in your painting, please feel free to bring them.  I will be bringing a lot of items for you to choose from also. Also bring a small & large box (flatl) and a dark colored cloth (2 yards minimum) preferably dark green, black or a neutral color.

Imploring the techniques and style of the Dutch Masters, both beginning and more advanced oil painting students will enjoy learning how to set up a still life, develop a concept and composition and will learn how to take a still life painting from start to finish.  Students will explore oil painting techniques, including brushwork, value and color. Referencing the work of Vermeer and  Rembrandt students will work to develop skilled painting of textures and surfaces while exploring use of light, shape and form.

Friday – Sunday, March 15 – 17
9 am – 4 pm

Instructor: Dee Kirkham
Ages: Adults (15+) / All levels

Supply list: 

Suggested place for purchasing supplies:
Nevada Art Supply, Reno, NV
ASWExpress – http:www.aswexpress.com – I have found them to have the best prices & reliable for quick turnaround of shipping.

Oil Paints (Rembrandt, Windsor Newton Oil (not student grade), Old Holland or Vasari Paints (800-932-9375)

Naples Yellow Light

Yellow Ochre

Cadmium Yellow Light or Lemon

Cadmium Yellow Deep

Cadmium Orange

Cadmium Red Light

Alizarin Crimson

Ultramarine Blue

Burnt Umber

Raw Umber (prefer Windsor Newton)

Ivory Black

Transparent Oxide Red

Titanium White (M Graham Alkyd Formulation – but any Titanium White will be fine)

Brushes

Rosemary Brushes or Robert Simmons Signet Bristle Brushes or Silver Grand Prix

Sizes:  3, 4, 6, 8, 10, 12

Watercolor Nylon Brush or a very soft brush for smoothing – 1” to 2”

Preferred Medium

Prefer to not use turpentine – I will explain this and show you how to paint without it and how to clean your brushes.

Gamblin Liquin

Maroger Flemish Medium – can be ordered at Old Masters Maroger

http://www.oldmastersmaroger.com – 505-758-2382.  I will have several tubes for sale.

Preferred Surfaces – Smooth

Ampersand – The Artist Panel for oil & Acrylics, Smooth Finish, or canvas

Inner Glow Panels – http://www.billewing.com/panels.htm (877-430-3639)

These boards provide for a smooth surface giving the effect of the Old Dutch Masters style

Canvas Boards, if used should be Belgian Linen Portrait quality.  I recommend Raphael Premium Archival Oil Primed Linen Panels which you can order from Jerry’s Artarama. 

Bring any sizes you prefer – Suggested sizes 89×12, 11×14, 12×16

Palette

Plexiglas or glass palette is the best for seeing your color and cleaning.  The simplest is to buy a cheap frame with glass, 12×16 or 16×20, and use the glass for your palette.

Palette Knife 

Any size will be fine, short blade and a long pliable blade preferred.

Easel

Please bring you own easel setup or easels are available.   If you prefer to sit when you paint, a table top easel will be fine. 

Suggestions:

Artwork Essentials – http://www.artworkessentials.com  – have several sizes of easels that are lightweight, easy to transport and very compact with tripod and accessories.  I will be using one at the workshop.

Paper Towels – Bounty (seem to be the best for not leaving residue on your brushes or painting).

If you prefer not to buy extra supplies from this list, please just bring what you have.  I know art can get expensive.  I will be happy to share what I have with you and this will give an opportunity to try it before you buy.

Still Life Setups

You will be painting your own personal still life setup.  If you have any special vases, flowers, fruit, vegetable or items that you would like to possible put in your painting, please feel free to bring them.  I will be bringing a lot of items for you to choose from also. Also bring a small & large box (flatl) and a dark colored cloth (2 yards minimum) preferably dark green, black or a neutral color.

Bristlecones are a wonderful subject for both realistic and impressionistic watercolors. Using paint and ink, students will learn to capture the essence of these wonders of the natural world.  Some watercolor experience is recommended. 

Wednesday, April 17
9 am – 2 pm

Instructor: Carroll Charlet
Ages: Adult (15+) / All Levels

Required Supplies: 

• Basic Watercolor Kit and pallet
• Watercolor Paper, 140 lb cold press (suggest Arches or Strathmore 400 series, student choice on size) 
• No 8 or No 6 pointed watercolor brush
• Micron black ink pens 005 or 01
• Sketch Pad
• Drawing pencil and kneaded eraser
• Two water containers

For questions regarding supplies, please contact carrollcharlet@sbcglobal.net   
*Materials available at Nevada Fine Arts (mention registration for 10% discount)

Learn to combine the texturing of ink and the vibrancy of watercolor to create illustrations while focusing on butterflies. Explore the tradition of scientific illustration while referencing specimens and photographs in this watercolor workshop. No experience necessary.

Wednesday, March 13
10 am – 3 pm

Instructor: Carroll Charlet
Ages: Adult (15+) / All Levels

Supply List:

• Tablet of 140# Watercolor paper (Casson, Arches, or Strathmore). NOTE: Paper can be purchased from instructor during class for $2 per sheet.
• Small round 10 well pallet with plastic lid
• Sketch tablet or paper
• Basic watercolor set (Reeves or Richardson set of 12 is fine, or your own set)
• 2 drawing or mechanical pencils, and a rubber eraser
• Fine point (005) black ink pen, MUST be waterproof
• Two plastic water containers
• Roll of paper towels

Learn the techniques to create luscious and loose impressionistic paintings of bouquets.  The class will include demonstrations in “dropping paint,” silhouetting and negative painting.  Some watercolor experience is recommended for this class.   

Thursdays, March 28 and April 4
10 am – 2 pm

Instructor: Carroll Charlet
Ages: Adult (15+) / Some experience in watercolor

Supply list: 

• 4 eye droppers
• 140 lb cold press Arches watercolor paper 9” x 12” or larger (Artist grade watercolor paper such as Arches is necessary for this technique)
• Your watercolor pallet
• No 6 and No 8 round watercolor brush
• ½” or 1” flat brush
• Graphite or mechanical pencil
• Kneaded eraser
• 2 plastic water containers
• Roll of paper towels
• For questions regarding materials, contact Carroll Charlet at carrollcharlet@sbcglobal.net

Learn the techniques to create luscious and loose impressionistic paintings of bouquets.  The class will include demonstrations in “dropping paint,” silhouetting and negative painting.  Some watercolor experience is recommended for this class.   

Wednesdays, February 20 and 27
10 am – 2 pm

Instructor: Carroll Charlet
Ages: Adult (15+) / Some experience in watercolor

Supply list: 

• 4 eye droppers
• 140 lb cold press Arches watercolor paper 9” x 12” or larger (Artist grade watercolor paper such as Arches is necessary for this technique)
• Your watercolor pallet
• No 6 and No 8 round watercolor brush
• ½” or 1” flat brush
• Graphite or mechanical pencil
• Kneaded eraser
• 2 plastic water containers
• Roll of paper towels
• For questions regarding materials, contact Carroll Charlet at carrollcharlet@sbcglobal.net