Anne Brigman:
A Visionary in Modern Photography

This major retrospective exhibition rediscovers and celebrates the work of Anne Brigman (1869-1950), who is best known for her iconic landscape photographs made in the early 1900s depicting herself and other female nudes outdoors in the Sierra Nevada. Brigman’s photography was considered radical for its time. To objectify her own nude body as the subject of her photographs at the turn of the twentieth century was groundbreaking; to do so outdoors in a near-desolate wilderness setting was revolutionary. Although the term feminist art was not coined until nearly seventy years after Brigman made her first photographs, the suggestion that her camera gave her the power to redefine her place as a woman in society establishes her as an important forerunner in the field.

Brigman’s significance spanned both coasts: in Northern California, where she lived, she was known as a poet, a critic, a proponent of the Arts & Crafts philosophy, and a member of the Pictorialist photography movement. On the East Coast, her work was promoted by Alfred Stieglitz, who elected her as a fellow of the prestigious Photo-Secession. From 1903 to 1944 Anne Brigman maintained ongoing correspondence with Alfred Stieglitz, exchanging nearly 100 letters during this time. Brigman is also noted for her honest art criticism and opinioned voice on cultural and fine art topics, and as a published poet.

This exhibition, the largest ever undertaken, brings together over 300 works spanning the entirety of Brigman’s career from the collections of Michael Wilson and the Wilson Centre for Photography in London, The Metropolitan Museum of Art, the George Eastman Museum, the Oakland Museum of California, MoMA, New York, the J. Paul Getty Museum, and many private collections.

The exhibition is curated by Ann M. Wolfe, Andrea and John C. Deane Family Senior Curator and Deputy Director at the Nevada Museum of Art

About the Book

The Nevada Museum of Art and Rizzoli Electra, New York will publish the first comprehensive book devoted to Anne Brigman. The special deluxe packaging for this publication includes a box containing two volumes: one large 400-page book is devoted to Brigman’s photographic career, covering such topics as Brigman’s work within the contexts of the California Arts & Crafts movement and New York Modernism, and the relevance of her work to contem­porary conversations regarding gendered landscapes, performance, and photography. Also included is a smaller book with Brigman’s poetry and reproductions from Brigman’s original Songs of a Pagan, first published in 1949.

Written by Ann M. Wolfe with contributions from Susan Ehrens, Alexander Nemerov, Kathleen Pyne, and Heather Waldroup. Design by Brad Bartlett.

This exhibition is made possible by the generosity of these sponsors:

Lead Sponsor: Wayne and Miriam Prim

Major Sponsors: The Bretzlaff Foundation; Carol Franc Buck Foundation; the Satre Family Fund at the Community Foundation of Western Nevada; Louise A. Tarble Foundation

Sponsors: Carole K. Anderson; Barbara and Tad Danz; Nancy and Harvey Fennell | Dickson Realty; Nancy and Brian Kennedy; Mercedes-Benz of Reno, an AutoNation Company; Whittier Trust, Investment & Wealth Management

Supporting Sponsors: Brigid S. Barton; Denise Cashman; the Chica Charitable Gift Fund; Mimi Ellis-Hogan; Jan and David Hardie; the Robert Mapplethorpe Foundation; Keith and Sheila McWilliams; Eleanor and Robert Preger; Jenny and Garrett Sutton | Corporate Direct, Inc.; Lash and Gigi Turville

Additional Support: Kathie Bartlett; John C. Deane

Media SponsorsGetaway Reno-Tahoe; KUNR Reno Public Radio; Reno News & Review; Reno-Tahoe International Airport; Tahoe QuarterlyThe Believer powered by the Beverly Rogers, Carol C. Harter Black Mountain Institute; Western Art & Architecture


Anne Brigman, The Breeze, 1909/printed 1915, gelatin silver print. 7 3/8 x 9 5/8 inches. Wilson Centre for Photography.

Anne Brigman, The Lone Pine, vintage silver print, 1908, 243 x 196mm, 9 1/2 x 7 3/4 inches. Wilson Centre for Photography.

Anne Brigman, The Dying Cedar, 1906, platinum print, 139 x 237mm, 5 1/2 x 9 3/8 inches. Wilson Centre for Photography.

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